1. |
PRESS START
02:56
|
|
||
2. |
ESCAPE
03:42
|
|
||
3. |
RESPAWN
03:34
|
|
||
4. |
1ST BOSS
04:10
|
|
||
5. |
ADD
03:16
|
|
||
6. |
GAME A
03:28
|
|
||
7. |
2ND BOSS
04:31
|
|
||
8. |
FRAG
02:51
|
|
||
9. |
PRACTICE MODE
03:18
|
|
||
10. |
SHEEPROK
02:14
|
|
||
11. |
FINAL BOSS
03:25
|
|
||
12. |
GAME B
03:02
|
|
||
13. |
SELECT
02:32
|
|
||
14. |
POWER-UP
02:55
|
|
||
15. |
GAME OVER
04:19
|
|
If you like 8-BIT RNR, you may also like:
Bracing post-hardcore meets festival-ready rock on the Tokyo band's sharp new EP, mixed and mastered by Will Yip (Turnstile, Title Fight).
go to album
Dreamy indie rock a la Duster/Sparklehorse with interesting with dynamic shifts and subtle hooks to keep things moving along.
go to album
Walk Thru Me
by The Folk Implosion
Lou Barlow & John Davis return as Folk Implosion, with 10 more songs that are sweetly tuneful.
go to album
Terry Venemous is releasing new music every 3 weeks this year. His latest EP is sumptuous art pop with a wry sense of detachment.
go to album
Springs Eternal
by William Doyle
Narratively focused art-pop from the British musician formerly known as East India Youth; features contributions from Brian Eno and others.
go to album
if no one else cares, why should I care?
by Good Good Blood
Pairing lo-fi indie rock with silvery folk instrumentation, the self-described "bedroom pop wizard" casts a cozy, poignant spell.
go to album
Sydney’s Mope City cranks out pitilessly slow-moving sludge rock, all slashing, snarling, and serrated riffing.
go to album
